This song is
just pure evil. How evil you may ask? It is so evil that born-again
Christian, Dave Mustaine, will no longer play it live. Like most things
evil, this song starts off with a soothing, inviting melody. This
captures the listener's attention and brings them floating along. This
instrumental intro is called "Good Mourning". Now it's time to tell you
what this song is about.
"Good Mourning/Black Friday" is
about a homicidal killer's descent into a blood-thirsty killing spree.
This violent turn of events takes place around the one minute mark as
the killer wakes up and goes into a violent fit. This is also where
Megadeth shines. Dave's thrash metal is at an all time great, not only
on this song, but the entire album. The song continues on a violent
thrash as the killer ramps up his kill count.
As a kid I only owned a few albums that I listened to over and over. Sixteen Stone by Bush, Jagged Little Pill by Alanis Morissette, the Dangerous Minds soundtrack,
and the self-titled debut by The Presidents of the United States of
America. The Presidents are an interesting group. They are a trio who
write pop songs about animals and cars. The song being highlighted today
epitomizes their songwriting style.
"Kitty" is a song about, well, you guessed it, a cat.
It's a stray cat who's looking for a place to stay and for someone to
give it some loving. Unfortunately, like most cats, it becomes
unsatisfied and attacks the hand that pets it.
This
song stirs up some wonderful childhood memories because it reminds me
of a great dog: my friend Ben's dog, Jenny. This song opens up with the
group meowing. Every single time we would listen to this song, Jenny
would think a real cat was in the room and start barking at the
speakers. Here's to you, Jenny. I hope you're out there somewhere
enjoying this song.
Weird Al is the quintessential parody artist. A career spanning over 30
years, longer than most of the artists he has parodied, Weird Al has achieved
notoriety out of an accordion and the ability to hilariously parody any genre,
as well as write his own original songs. When trying to pick a song from his
vast catalog, I had to think long and hard. The easy choice would have been
"Amish Paradise", which was his biggest hit, but I strayed from his
hits to go with my personal favorite song, "The Night Santa Went
Crazy".
"The Night Santa Went Crazy" is a parody of "Black Gold"
by Soul Asylum with a touch of "Mama, I'm Coming Home" by Ozzy
Osbourne. It tells the tale of Santa snapping and going on a murdering spree.
Weird Al states that after all these years Santa realizes he has gotten the raw
deal and can no longer withstand Christmas. He goes on to murder elves and
reindeer and is eventually captured by the FBI and imprisoned for 700
years.
I have always loved this song ever since I was a little kid and to this very day I still get a great big smile on my face when it comes on. So, what is your favorite Weird Al song?
Ever since I was a little child I have had a fear of the dark. Fear of the dark is one of the most common fears to present itself to mankind. It is easy to understand why people have this fear. Darkness causes mankind to no longer be able to see. Even rooms and places in which we have been thousands of times in our life lose their sense once the darkness comes. Our eyes play tricks on us and we envision creatures that go bump in the night.
This song is about that phobia. Bruce Dickinson, the lead singer of Iron Maiden, tells a tale of a man who walks by himself as the lights start to dim and darkness closes in all around him. As the world gets dark he start to see horror movie figures and folklore characters in the flickering shadows.
"Fear of the Dark" is one of Iron Maiden's longer songs and is constantly switching up pace and heaviness. It is a fan favorite and an absolute favorite of mine.
I always felt that this was a strange question. To people who know me, I'm The Music Guy. In an effort to spark conversation, people often ask me what I've been listening to. Well, I go through music phases like I imagine everyone else does, but not all that often. I like switch it up so I don't get bored. There's nothing worse than overplaying a song, album, band, to the point where you lose sight of what drew you to them in the first place. So when I'm asked what I've been listening to, I'm usually stumped. I feel like I failed a classic interview question (What are your strengths? How would you help this company grow? Why you?). How do I answer this question without fabricating a playlist that I probably haven't been exclusively listening to?
I panic, I stutter, I spit out the first band name that comes to mind. The Afghan Whigs. They recently released their first studio album in 16 years, entitled Do to the Beast, and it is quite an effort. They have had the benefit of skipping the worst decade of music in the modern era, otherwise known as the '00s, and were able to pick up right where they left off with their unique brand of '90s rock. They have somehow managed to create an extremely '90s sounding record in the year 2014 without sounding the least bit dated. It's somewhat of an anomaly in the sense that it actually works. I will go as far as saying it's actually necessary. Many bands reunite just for the sake of reuniting and for an easy paycheck. Not the Whigs though. No, they reunited because frontman Greg Dulli still had more to say. He still had a sound he wanted to project, and the Whigs are the necessary outfit for him to do so. While this album may not live up to the high standards they have set for themselves with prior masterpieces such as Gentlemen and Black Love, it certainly sets its own precedent for reunion albums. The first single, "Algiers", is easily towards the top of my "Best Songs of 2014 Thus Far, Even Though There Haven't Been That Many Great Songs Released in 2014 Thus Far" list, "The Lottery" recalls the intro to "John the Baptist" but soon becomes its own song and rocks hard, and "These Sticks" closes out the album in the traditional Afghan Whigs album-closer style, starting out slow and constantly building until it reaches a hard hitting climax.
If you asked me four years ago what I've been listening to, I might have said The Stone Roses. When I first started listening to their self-titled classic, I had to listen to it at least twice a month or else I'd have gone insane. It's what I craved. If you asked me two years ago what I've been listening to, I might have said Clockwork Angels by Rush. It came out in 2012 and turned out to be their best album since 1982 (Signals). I went through a phase where I listened to nothing on my iPod but that one album for roughly a month straight. And if you asked me at any point over the past six months what I've been listening to, my answer would have been (and will continue to be for the foreseeable future), aside from The Afghan Whigs, which was a panic answer, Seventh Wonder. Since discovering them, I've listened to them more than any other band. They have yet to grow stale on me. I finish one album and immediately start another one of theirs. I finish that one and I immediately start the third one. I finish that and go right back to the first! It's becoming a bit of a sickness and I need to get back to the point where when someone starts conversation with me ("Hey Steve! What's up? Great weather, huh? So what have you been listening to lately?") I immediately tell them "Hey, yeah, not really sure what I've been listening to. I'm kind of just listening to everything - Funkadelic, Pavement, The Velvet Underground, Dylan - ya know, a mixture of everything I like." Variety is the spice of life. Cliche or not (it is), it's true, especially for music.
If you want to have your heart ripped out, stepped on, and broken to pieces, I highly recommend watching the Oscar-nominated Belgium film, The Broken Circle Breakdown. It's a heartbreaking tale of love, loss, and bluegrass music. Not unlike the 2006 film, Once, the music plays a central role in progressing the plot. Music brings the two main characters together, music keeps them together, and music brings everything to a heart-wrenching conclusion.
If you would rather vie for a less messy experience in which you do not have to wipe tears off your face or pick your heart up off the floor, I highly recommend listening to the fantastic soundtrack. All of the music is performed by The Broken Circle Breakdown Bluegrass Band whose members include the two leads in the film, Johan Heldenbergh and Veerle Baetens. The standout track for me is the song in which the two characters duet on in the beginning on the movie, "The Boy Who Wouldn't Hoe Corn", an old traditional song. I watched the movie just two nights ago and I've listened to this track no less than eight times since watching. It helps set the stage for the film but also works incredibly well as a standalone track, much like the rest of the soundtrack.
Watch the movie, listen to the soundtrack, but you've been warned - this is not an easy movie to watch.
Pavement are the epitome of '90s indie/alternative rock. Granted, I didn't know who they were until the mid-2000s and it took me even longer to finally get into them, but once everything finally clicked I couldn't get enough of them. And even though Pavement are no longer a band (despite their brief reunion in 2010, in which I was fortunate enough to catch one of their live shows), frontman Stephen Malkmus has been releasing rock solid solo albums since 2001 (his latest, Wig Out at Jagbags, was released earlier this year).
"Stereo" is the first track off Brighten The Corners, an album that is rightfully overshadowed by its superior predecessors, but still an excellent album in its own right. The song begins with a quirky-as-hell bass line and some fuzzed out guitar notes. Enter Malkmus's trademark I'm-too-cool-to-sound-like-I'm-trying vocals and we're off. The almost off-key vocal melody clashes with the idiosyncratic bass line in such an unconventional way that it creates a dissonant bliss that shouldn't work, but leave it to Pavement to figure out how to make it work. And then we have my all time favorite Malkmus lyric, "What about the voice of Geddy Lee?/How did it get so high?/I wonder if he speaks like an ordinary guy?/I know him, and he does!". Perhaps it's my favorite due to my overwhelming love for Rush and the fact that I "get it", or maybe it's just that this lyric perfectly encompasses the sarcastic humor found throughout Pavement's and Malkmus's entire discographies.
Everything I love about Pavement is contained within this three-minute rocker. It's peculiar, it's hard rockin', and it's damn funny.
